Monday, January 17, 2011

SO, NO RESPONSES TO MY QUERIES YET. I SHOULDN'T BE SURPRISED


         
              Last week I heard an agent speak about the number of queries that landed on her email desk in a year.  One hundred thousand, she said, and her audience  looked up from their scratchpad notes aghast.  “Of those,” she added, “I was able to take on twenty-three as clients.” A hiss spread across the room, a silibant echo of one of my favorite swear words when I am disappointed or have stepped in something.

            April Eberhardt went on to describe the new age of publishing in which the author is in total control of getting his/her book out of the computer and into the hands of potential readers.  Self-publishing.  Used to be another dirty word, but by the time Ms. Eberhardt had finished, a number of us, including the three women sitting on either side of me were wide-eyed and grinning at each other. Hopeful our faces were, the way I feel when I have sent out a really good query and I know I’ll be asked for pages shortly.

             As I walked home, the doubt set in.  A memory of a friend’s mother’s autobiography came to the surface.  The book detailed her many trips off the main road of widowhood into the beckoning woods of sex and libido.  Her stories all began with “I” and we didn’t really get to know any of the men, but what made me finally put it down unfinished was the book’s great need for editing, both line and content. 

            Similar books have created a bad name for self-publishing.  Vanity presses have made millions for themselves, seldom for the authors, producing books that moulder in the back of car trunks or garages after the first twenty copies have been handed to friends and relatives.  This particular book went to few relatives, its contents a bit purple for most of them. Her daughter recycled the remainders when she emptied her mother’s home, saving a copy, along with the cut lead crystal pitcher she held back from the estate sale lady, to bring back memories and smiles.

            However, now, with Kindle and other e-readers, the agent assured us, all that is changing.  We writers have to become knowledgeable about the new technology.  Give up the vision of a book in hand for the reality of a book in the ether.  Besides, she said, if our book is successful (that is, sells a few thousand downloads), we’ll make more money than we would have with an agent and a contract. 

            But first, we have to hire other experts to help us get it all together, she said.  A good editor, a graphic designer, a marketing consultant.  My seat partners and I had left the auditorium convinced we could do all this.

            Why is it, then, that I continue to check my email twice a day?  To wait for word that a stranger wants to see the whole book?  To say no to a husband offering a Kindle after he’s listened to me describe this meeting?  Is it that I need to be validated by some sort of judge before I can believe in my writing?  Or is it my hope that when my home is cleaned out,  a grand daughter will pick up a book with my name on it, will say, “I want  this,” and will put it on her book shelf and think of me once in a while.

Jo Barney Writes
www.jobarneywrites.com

Monday, December 13, 2010

When No News is Okay News, Glitch-wise

Sometimes it's good that agents don't respond immediately to queries from writers.

Last night, sleepless in Portland, visualizing the  empty wine bottles I'll have to recycle in the morning, worrying about glasses that probably will break in the washer, regretting the hors d'oeuvres turning green because I forgot to put them in the fridge, my party obsession floated away in a cloud of fragmented conversations.  The party was over.  Even I had a good time.  So move on, I whispered into my pillow, to your other obsession, the one you put aside in a frantic week of rolling out phyllo dough and filling empanitas.

Twelve queries sent, two rejections, ten to go. Takes time, I told myself.  These people get a thousand queries a month.  Then I  imagined my email page telling me I had a thousand new messages.  Not a comforting thought. Uneasy, my imaginings stumble on to Ellie, the old lady my queries had mentioned.

Just how old is she?  67, I think, just past the 60 is the new 50 stage and into a little arthritis and a bum hip.

Wait a minute.  Her son is 28, as is our villain.  Which means Ellie was almost forty when he was born.
  
Which is okay, but didn't I have her describe escaping as a teenager from grandmother's house by getting pregnant?  Marrying a no-good who left with a toddler after a year or two? She  lived with her grandmother until she's almost forty?  My grandmother could have lived with me when I was forty.  Despite my careful  outline of Ellie's and my other characters' lives, I'd misplaced maybe thirty years.  Unless I change her backstory, she should be 46, definitely not a crotchety old woman.

Tomorrow I will go back to Ellie, figure out how she got a son at age 39, having left her grandmother's home almost twenty years before.  I know HOW, of course.  What I'm  not sure yet is WHY.

This is why I love both writing and jigsaw puzzles.  The puzzle/story seems to be coming together, sort of, but there are always the pieces that have fallen to  the floor, the ones the player doesn't see until she leans back and looks around.

So today, I'm okay with not getting a request for one hundred pages.  By the end of the week, I'll be checking my email obsessively, as usual,  and Ellie will be glitchless.

Jo Barney Writes
www.jobarneywrites.com